Those restrictions are there to ensure a smooth user experience, reduce the risks of malfunction and overheating, as well as for commercial reasons. Although many of Canon’s cameras are theoretically able to shoot raw video in terms of hardware, many have been limited by the manufacturer. With raw recording, you’ll have more flexibility with white balance corrections with the raw file format when selecting this option on your mirrorless or DSLR camera. The biggest drawback with an uncompressed raw image is a much larger raw file size. Compared to lower quality codecs, it also enables better detail recovery in shadow and highlights. That’s because raw provides better dynamic range and more natural colors. While shooting raw might not be necessary to produce pro-looking footage, it can certainly make it easier to get that expensive cinematic look and feel. The result is greatly improved flexibility in post, giving the option to properly grade the footage to look like a commercial feature film.Īlthough color-grading is possible using ‘just’ flat image profiles in lower codecs, raw provides much more elbow room. a JPEG image file on a digital camera, but for a video camera. Think of it like shooting a raw photo vs. That’s because it’s an uncompressed video format that preserves vastly more data within the image. If you want to produce cinematic-looking footage once you hit that shutter button, shooting raw is your best bet.

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